Play for me all our days
I couldn’t say i caused delay
His Schylling shakes low and breaks
Now how far are we along?
Was there something you were gonna say?
You in your summer sweat
Melting me in loving heat
I gotta go ‚cause I can’t show
My face here anymore
This trying has been trying
Has been trying, has been trying
Has been trying, has been trying
Has been trying, has been trying
Has been trying, has been trying
I’ve been trying for you
And as long as you’ve known me, I couldn’t wait
And was there something you were gonna say?
Never better, late than never better
This timing takes work
This practice takes purses
I still hope you’re sure (I’d take anything)
I still hope I’m worth it (I’d take anything)
The six to tens are mine, at least you know (I’d take anything) (it’s always early)
Know what’s on my mind, right? (I’d take anything) (until it’s late)
(It’s always early until it’s late, it’s always early until I’m late)
Losing my nightly race, just try (I’d take anything)
Trying to take my own place now (I’d take anything)
This trying comes first (I’d take anything)
Is it all still working? (I’d take anything)
(It’s always early until it’s late, it’s always early until I’m late)
Still hope you’re sure (I’d take anything)
Still hope I’m worth it (I’d take anything)
My Genevieve, on the eve of everything, sits with me and grieves
All I said and forgot but stuck
All your life just waiting on me, waiting on luck
My Genevieve, on the eve of everything, sits with me and grieves
I’d take anything, I’d take anything, I’d take anything now
I’d take anything, I’d take anything now
I’d take anything, I’d take anything now
Was there something you were gonna say?
Info:
Gemeinsam mit Bands wie Touché Amoré oder La Dispute gehören Pianos Become The Teeth zu den Bands, die The Wave begründeten. Eine neue Welle des Post-Hardcore, die sich durch Stil und Ideologie ähnelt und vom bisherigen Bild des Genres löste. Schon mit dem vorletzten Album „Wait For Love“ erweiterte die Band ihren musikalischen Horizont und löste sich von einigen eher brachialen Elementen, so dass sich ihr Sound nun eher im Post-Rock einordnen lässt. Das jüngst erschienene Album „Drift“ führt diesen Trend fort, aus diesem stammt auch „Genevieve“.
Directed and Edited by Michael York and Amanda Adams
Music by Pianos Become The Teeth
Recorded & mixed by Kevin Bernsten
Produced by Pianos Become The Teeth & Kevin Bernsten
Mastered by Josh Bonati
Links:
Pianos Become The Teeth
